| AacAudioDescriptionBroadcasterMix |
Choose BROADCASTER_MIXED_AD when the input contains pre-mixed main audio + audio description (AD) as a stereo pair.
|
| AacCodecProfile |
Specify the AAC profile.
|
| AacCodingMode |
The Coding mode that you specify determines the number of audio channels and the audio channel layout metadata in
your AAC output.
|
| AacRateControlMode |
Specify the AAC rate control mode.
|
| AacRawFormat |
Enables LATM/LOAS AAC output.
|
| AacSpecification |
Use MPEG-2 AAC instead of MPEG-4 AAC audio for raw or MPEG-2 Transport Stream containers.
|
| AacVbrQuality |
Specify the quality of your variable bitrate (VBR) AAC audio.
|
| Ac3BitstreamMode |
Specify the bitstream mode for the AC-3 stream that the encoder emits.
|
| Ac3CodingMode |
Dolby Digital coding mode.
|
| Ac3DynamicRangeCompressionLine |
Choose the Dolby Digital dynamic range control (DRC) profile that MediaConvert uses when encoding the metadata in the
Dolby Digital stream for the line operating mode.
|
| Ac3DynamicRangeCompressionProfile |
When you want to add Dolby dynamic range compression (DRC) signaling to your output stream, we recommend that you use
the mode-specific settings instead of Dynamic range compression profile.
|
| Ac3DynamicRangeCompressionRf |
Choose the Dolby Digital dynamic range control (DRC) profile that MediaConvert uses when encoding the metadata in the
Dolby Digital stream for the RF operating mode.
|
| Ac3LfeFilter |
Applies a 120Hz lowpass filter to the LFE channel prior to encoding.
|
| Ac3MetadataControl |
When set to FOLLOW_INPUT, encoder metadata will be sourced from the DD, DD+, or DolbyE decoder that supplied this
audio data.
|
| AccelerationMode |
Specify whether the service runs your job with accelerated transcoding.
|
| AccelerationStatus |
Describes whether the current job is running with accelerated transcoding.
|
| AdvancedInputFilter |
Use to remove noise, blocking, blurriness, or ringing from your input as a pre-filter step before encoding.
|
| AdvancedInputFilterAddTexture |
Add texture and detail to areas of your input video content that were lost after applying the Advanced input filter.
|
| AdvancedInputFilterSharpen |
Optionally specify the amount of sharpening to apply when you use the Advanced input filter.
|
| AfdSignaling |
This setting only applies to H.264, H.265, and MPEG2 outputs.
|
| AlphaBehavior |
Ignore this setting unless this input is a QuickTime animation with an alpha channel.
|
| AncillaryConvert608To708 |
Specify whether this set of input captions appears in your outputs in both 608 and 708 format.
|
| AncillaryTerminateCaptions |
By default, the service terminates any unterminated captions at the end of each input.
|
| AntiAlias |
The anti-alias filter is automatically applied to all outputs.
|
| AudioChannelTag |
Specify the QuickTime audio channel layout tags for the audio channels in this audio track.
|
| AudioCodec |
Choose the audio codec for this output.
|
| AudioDefaultSelection |
Enable this setting on one audio selector to set it as the default for the job.
|
| AudioDurationCorrection |
Apply audio timing corrections to help synchronize audio and video in your output.
|
| AudioLanguageCodeControl |
Specify which source for language code takes precedence for this audio track.
|
| AudioNormalizationAlgorithm |
Choose one of the following audio normalization algorithms: ITU-R BS.1770-1: Ungated loudness.
|
| AudioNormalizationAlgorithmControl |
When enabled the output audio is corrected using the chosen algorithm.
|
| AudioNormalizationLoudnessLogging |
If set to LOG, log each output's audio track loudness to a CSV file.
|
| AudioNormalizationPeakCalculation |
If set to TRUE_PEAK, calculate and log the TruePeak for each output's audio track loudness.
|
| AudioSelectorType |
Specifies the type of the audio selector.
|
| AudioTypeControl |
When set to FOLLOW_INPUT, if the input contains an ISO 639 audio_type, then that value is passed through to the
output.
|
| Av1AdaptiveQuantization |
Specify the strength of any adaptive quantization filters that you enable.
|
| Av1BitDepth |
Specify the Bit depth.
|
| Av1FilmGrainSynthesis |
Film grain synthesis replaces film grain present in your content with similar quality synthesized AV1 film grain.
|
| Av1FramerateControl |
Use the Framerate setting to specify the frame rate for this output.
|
| Av1FramerateConversionAlgorithm |
Choose the method that you want MediaConvert to use when increasing or decreasing your video's frame rate.
|
| Av1RateControlMode |
'With AV1 outputs, for rate control mode, MediaConvert supports only quality-defined variable bitrate (QVBR).
|
| Av1SpatialAdaptiveQuantization |
Keep the default value, Enabled, to adjust quantization within each frame based on spatial variation of content
complexity.
|
| AvcIntraClass |
Specify the AVC-Intra class of your output.
|
| AvcIntraFramerateControl |
If you are using the console, use the Framerate setting to specify the frame rate for this output.
|
| AvcIntraFramerateConversionAlgorithm |
Choose the method that you want MediaConvert to use when increasing or decreasing your video's frame rate.
|
| AvcIntraInterlaceMode |
Choose the scan line type for the output.
|
| AvcIntraScanTypeConversionMode |
Use this setting for interlaced outputs, when your output frame rate is half of your input frame rate.
|
| AvcIntraSlowPal |
Ignore this setting unless your input frame rate is 23.976 or 24 frames per second (fps).
|
| AvcIntraTelecine |
When you do frame rate conversion from 23.976 frames per second (fps) to 29.97 fps, and your output scan type is
interlaced, you can optionally enable hard telecine to create a smoother picture.
|
| AvcIntraUhdQualityTuningLevel |
Optional.
|
| BandwidthReductionFilterSharpening |
Optionally specify the level of sharpening to apply when you use the Bandwidth reduction filter.
|
| BandwidthReductionFilterStrength |
Specify the strength of the Bandwidth reduction filter.
|
| BillingTagsSource |
The tag type that AWS Billing and Cost Management will use to sort your AWS Elemental MediaConvert costs on any
billing report that you set up.
|
| BurninSubtitleAlignment |
Specify the alignment of your captions.
|
| BurninSubtitleApplyFontColor |
Ignore this setting unless Style passthrough is set to Enabled and Font color set to Black, Yellow, Red, Green, Blue,
or Hex.
|
| BurninSubtitleBackgroundColor |
Specify the color of the rectangle behind the captions.
|
| BurninSubtitleFallbackFont |
Specify the font that you want the service to use for your burn in captions when your input captions specify a font
that MediaConvert doesn't support.
|
| BurninSubtitleFontColor |
Specify the color of the burned-in captions text.
|
| BurninSubtitleOutlineColor |
Specify font outline color.
|
| BurninSubtitleShadowColor |
Specify the color of the shadow cast by the captions.
|
| BurnInSubtitleStylePassthrough |
To use the available style, color, and position information from your input captions: Set Style passthrough to
Enabled.
|
| BurninSubtitleTeletextSpacing |
Specify whether the text spacing in your captions is set by the captions grid, or varies depending on letter width.
|
| CaptionDestinationType |
Specify the format for this set of captions on this output.
|
| CaptionSourceByteRateLimit |
Choose whether to limit the byte rate at which your SCC input captions are inserted into your output.
|
| CaptionSourceConvertPaintOnToPopOn |
Choose the presentation style of your input SCC captions.
|
| CaptionSourceType |
Use Source to identify the format of your input captions.
|
| ChromaPositionMode |
Specify the chroma sample positioning metadata for your H.264 or H.265 output.
|
| CmafClientCache |
Disable this setting only when your workflow requires the #EXT-X-ALLOW-CACHE:no tag.
|
| CmafCodecSpecification |
Specification to use (RFC-6381 or the default RFC-4281) during m3u8 playlist generation.
|
| CmafEncryptionType |
Specify the encryption scheme that you want the service to use when encrypting your CMAF segments.
|
| CmafImageBasedTrickPlay |
Specify whether MediaConvert generates images for trick play.
|
| CmafInitializationVectorInManifest |
When you use DRM with CMAF outputs, choose whether the service writes the 128-bit encryption initialization vector in
the HLS and DASH manifests.
|
| CmafIntervalCadence |
The cadence MediaConvert follows for generating thumbnails.
|
| CmafKeyProviderType |
Specify whether your DRM encryption key is static or from a key provider that follows the SPEKE standard.
|
| CmafManifestCompression |
When set to GZIP, compresses HLS playlist.
|
| CmafManifestDurationFormat |
Indicates whether the output manifest should use floating point values for segment duration.
|
| CmafMpdManifestBandwidthType |
Specify how the value for bandwidth is determined for each video Representation in your output MPD manifest.
|
| CmafMpdProfile |
Specify whether your DASH profile is on-demand or main.
|
| CmafPtsOffsetHandlingForBFrames |
Use this setting only when your output video stream has B-frames, which causes the initial presentation time stamp
(PTS) to be offset from the initial decode time stamp (DTS).
|
| CmafSegmentControl |
When set to SINGLE_FILE, a single output file is generated, which is internally segmented using the Fragment Length
and Segment Length.
|
| CmafSegmentLengthControl |
Specify how you want MediaConvert to determine segment lengths in this output group.
|
| CmafStreamInfResolution |
Include or exclude RESOLUTION attribute for video in EXT-X-STREAM-INF tag of variant manifest.
|
| CmafTargetDurationCompatibilityMode |
When set to LEGACY, the segment target duration is always rounded up to the nearest integer value above its current
value in seconds.
|
| CmafVideoCompositionOffsets |
Specify the video sample composition time offset mode in the output fMP4 TRUN box.
|
| CmafWriteDASHManifest |
When set to ENABLED, a DASH MPD manifest will be generated for this output.
|
| CmafWriteHLSManifest |
When set to ENABLED, an Apple HLS manifest will be generated for this output.
|
| CmafWriteSegmentTimelineInRepresentation |
When you enable Precise segment duration in DASH manifests, your DASH manifest shows precise segment durations.
|
| CmfcAudioDuration |
Specify this setting only when your output will be consumed by a downstream repackaging workflow that is sensitive to
very small duration differences between video and audio.
|
| CmfcAudioTrackType |
Use this setting to control the values that MediaConvert puts in your HLS parent playlist to control how the client
player selects which audio track to play.
|
| CmfcDescriptiveVideoServiceFlag |
Specify whether to flag this audio track as descriptive video service (DVS) in your HLS parent manifest.
|
| CmfcIFrameOnlyManifest |
Choose Include to have MediaConvert generate an HLS child manifest that lists only the I-frames for this rendition,
in addition to your regular manifest for this rendition.
|
| CmfcKlvMetadata |
To include key-length-value metadata in this output: Set KLV metadata insertion to Passthrough.
|
| CmfcManifestMetadataSignaling |
To add an InbandEventStream element in your output MPD manifest for each type of event message, set Manifest metadata
signaling to Enabled.
|
| CmfcScte35Esam |
Use this setting only when you specify SCTE-35 markers from ESAM.
|
| CmfcScte35Source |
Ignore this setting unless you have SCTE-35 markers in your input video file.
|
| CmfcTimedMetadata |
To include ID3 metadata in this output: Set ID3 metadata to Passthrough.
|
| CmfcTimedMetadataBoxVersion |
Specify the event message box (eMSG) version for ID3 timed metadata in your output.
|
| Codec |
|
| ColorMetadata |
Choose Insert for this setting to include color metadata in this output.
|
| ColorPrimaries |
The color space color primaries of the video track.
|
| ColorSpace |
If your input video has accurate color space metadata, or if you don't know about color space: Keep the default
value, Follow.
|
| ColorSpaceConversion |
Specify the color space you want for this output.
|
| ColorSpaceUsage |
There are two sources for color metadata, the input file and the job input settings Color space and HDR master
display information settings.
|
| Commitment |
The length of the term of your reserved queue pricing plan commitment.
|
| ContainerType |
Container for this output.
|
| CopyProtectionAction |
The action to take on copy and redistribution control XDS packets.
|
| DashIsoGroupAudioChannelConfigSchemeIdUri |
Use this setting only when your audio codec is a Dolby one (AC3, EAC3, or Atmos) and your downstream workflow
requires that your DASH manifest use the Dolby channel configuration tag, rather than the MPEG one.
|
| DashIsoHbbtvCompliance |
Supports HbbTV specification as indicated
|
| DashIsoImageBasedTrickPlay |
Specify whether MediaConvert generates images for trick play.
|
| DashIsoIntervalCadence |
The cadence MediaConvert follows for generating thumbnails.
|
| DashIsoMpdManifestBandwidthType |
Specify how the value for bandwidth is determined for each video Representation in your output MPD manifest.
|
| DashIsoMpdProfile |
Specify whether your DASH profile is on-demand or main.
|
| DashIsoPlaybackDeviceCompatibility |
This setting can improve the compatibility of your output with video players on obsolete devices.
|
| DashIsoPtsOffsetHandlingForBFrames |
Use this setting only when your output video stream has B-frames, which causes the initial presentation time stamp
(PTS) to be offset from the initial decode time stamp (DTS).
|
| DashIsoSegmentControl |
When set to SINGLE_FILE, a single output file is generated, which is internally segmented using the Fragment Length
and Segment Length.
|
| DashIsoSegmentLengthControl |
Specify how you want MediaConvert to determine segment lengths in this output group.
|
| DashIsoVideoCompositionOffsets |
Specify the video sample composition time offset mode in the output fMP4 TRUN box.
|
| DashIsoWriteSegmentTimelineInRepresentation |
When you enable Precise segment duration in manifests, your DASH manifest shows precise segment durations.
|
| DashManifestStyle |
Specify how MediaConvert writes SegmentTimeline in your output DASH manifest.
|
| DecryptionMode |
Specify the encryption mode that you used to encrypt your input files.
|
| DeinterlaceAlgorithm |
Only applies when you set Deinterlace mode to Deinterlace or Adaptive.
|
| DeinterlacerControl |
- When set to NORMAL (default), the deinterlacer does not convert frames that are tagged in metadata as progressive.
|
| DeinterlacerMode |
Use Deinterlacer to choose how the service will do deinterlacing.
|
| DescribeEndpointsMode |
Deprecated. |
| DolbyVisionLevel6Mode |
Use Dolby Vision Mode to choose how the service will handle Dolby Vision MaxCLL and MaxFALL properies.
|
| DolbyVisionMapping |
Required when you set Dolby Vision Profile to Profile 8.1.
|
| DolbyVisionProfile |
Required when you enable Dolby Vision.
|
| DropFrameTimecode |
Applies only to 29.97 fps outputs.
|
| DvbddsHandling |
Specify how MediaConvert handles the display definition segment (DDS).
|
| DvbSubSubtitleFallbackFont |
Specify the font that you want the service to use for your burn in captions when your input captions specify a font
that MediaConvert doesn't support.
|
| DvbSubtitleAlignment |
Specify the alignment of your captions.
|
| DvbSubtitleApplyFontColor |
Ignore this setting unless Style Passthrough is set to Enabled and Font color set to Black, Yellow, Red, Green, Blue,
or Hex.
|
| DvbSubtitleBackgroundColor |
Specify the color of the rectangle behind the captions.
|
| DvbSubtitleFontColor |
Specify the color of the captions text.
|
| DvbSubtitleOutlineColor |
Specify font outline color.
|
| DvbSubtitleShadowColor |
Specify the color of the shadow cast by the captions.
|
| DvbSubtitleStylePassthrough |
To use the available style, color, and position information from your input captions: Set Style passthrough to
Enabled.
|
| DvbSubtitleTeletextSpacing |
Specify whether the Text spacing in your captions is set by the captions grid, or varies depending on letter width.
|
| DvbSubtitlingType |
Specify whether your DVB subtitles are standard or for hearing impaired.
|
| DynamicAudioSelectorType |
Specify which audio tracks to dynamically select from your source.
|
| Eac3AtmosBitstreamMode |
Specify the bitstream mode for the E-AC-3 stream that the encoder emits.
|
| Eac3AtmosCodingMode |
The coding mode for Dolby Digital Plus JOC (Atmos).
|
| Eac3AtmosDialogueIntelligence |
Enable Dolby Dialogue Intelligence to adjust loudness based on dialogue analysis.
|
| Eac3AtmosDownmixControl |
Specify whether MediaConvert should use any downmix metadata from your input file.
|
| Eac3AtmosDynamicRangeCompressionLine |
Choose the Dolby dynamic range control (DRC) profile that MediaConvert uses when encoding the metadata in the Dolby
stream for the line operating mode.
|
| Eac3AtmosDynamicRangeCompressionRf |
Choose the Dolby dynamic range control (DRC) profile that MediaConvert uses when encoding the metadata in the Dolby
stream for the RF operating mode.
|
| Eac3AtmosDynamicRangeControl |
Specify whether MediaConvert should use any dynamic range control metadata from your input file.
|
| Eac3AtmosMeteringMode |
Choose how the service meters the loudness of your audio.
|
| Eac3AtmosStereoDownmix |
Choose how the service does stereo downmixing.
|
| Eac3AtmosSurroundExMode |
Specify whether your input audio has an additional center rear surround channel matrix encoded into your left and
right surround channels.
|
| Eac3AttenuationControl |
If set to ATTENUATE_3_DB, applies a 3 dB attenuation to the surround channels.
|
| Eac3BitstreamMode |
Specify the bitstream mode for the E-AC-3 stream that the encoder emits.
|
| Eac3CodingMode |
Dolby Digital Plus coding mode.
|
| Eac3DcFilter |
Activates a DC highpass filter for all input channels.
|
| Eac3DynamicRangeCompressionLine |
Choose the Dolby Digital dynamic range control (DRC) profile that MediaConvert uses when encoding the metadata in the
Dolby Digital stream for the line operating mode.
|
| Eac3DynamicRangeCompressionRf |
Choose the Dolby Digital dynamic range control (DRC) profile that MediaConvert uses when encoding the metadata in the
Dolby Digital stream for the RF operating mode.
|
| Eac3LfeControl |
When encoding 3/2 audio, controls whether the LFE channel is enabled
|
| Eac3LfeFilter |
Applies a 120Hz lowpass filter to the LFE channel prior to encoding.
|
| Eac3MetadataControl |
When set to FOLLOW_INPUT, encoder metadata will be sourced from the DD, DD+, or DolbyE decoder that supplied this
audio data.
|
| Eac3PassthroughControl |
When set to WHEN_POSSIBLE, input DD+ audio will be passed through if it is present on the input.
|
| Eac3PhaseControl |
Controls the amount of phase-shift applied to the surround channels.
|
| Eac3StereoDownmix |
Choose how the service does stereo downmixing.
|
| Eac3SurroundExMode |
When encoding 3/2 audio, sets whether an extra center back surround channel is matrix encoded into the left and right
surround channels.
|
| Eac3SurroundMode |
When encoding 2/0 audio, sets whether Dolby Surround is matrix encoded into the two channels.
|
| EmbeddedConvert608To708 |
Specify whether this set of input captions appears in your outputs in both 608 and 708 format.
|
| EmbeddedTerminateCaptions |
By default, the service terminates any unterminated captions at the end of each input.
|
| EmbeddedTimecodeOverride |
Set Embedded timecode override to Use MDPM when your AVCHD input contains timecode tag data in the Modified Digital
Video Pack Metadata.
|
| F4vMoovPlacement |
To place the MOOV atom at the beginning of your output, which is useful for progressive downloading: Leave blank or
choose Progressive download.
|
| FileSourceConvert608To708 |
Specify whether this set of input captions appears in your outputs in both 608 and 708 format.
|
| FileSourceTimeDeltaUnits |
When you use the setting Time delta to adjust the sync between your sidecar captions and your video, use this setting
to specify the units for the delta that you specify.
|
| FontScript |
Provide the font script, using an ISO 15924 script code, if the LanguageCode is not sufficient for determining the
script type.
|
| Format |
|
| GifFramerateControl |
If you are using the console, use the Framerate setting to specify the frame rate for this output.
|
| GifFramerateConversionAlgorithm |
Optional.
|
| H264AdaptiveQuantization |
Keep the default value, Auto, for this setting to have MediaConvert automatically apply the best types of
quantization for your video content.
|
| H264CodecLevel |
Specify an H.264 level that is consistent with your output video settings.
|
| H264CodecProfile |
H.264 Profile.
|
| H264DynamicSubGop |
Choose Adaptive to improve subjective video quality for high-motion content.
|
| H264EndOfStreamMarkers |
Optionally include or suppress markers at the end of your output that signal the end of the video stream.
|
| H264EntropyEncoding |
Entropy encoding mode.
|
| H264FieldEncoding |
The video encoding method for your MPEG-4 AVC output.
|
| H264FlickerAdaptiveQuantization |
Only use this setting when you change the default value, AUTO, for the setting H264AdaptiveQuantization.
|
| H264FramerateControl |
If you are using the console, use the Framerate setting to specify the frame rate for this output.
|
| H264FramerateConversionAlgorithm |
Choose the method that you want MediaConvert to use when increasing or decreasing your video's frame rate.
|
| H264GopBReference |
Specify whether to allow B-frames to be referenced by other frame types.
|
| H264GopSizeUnits |
Specify how the transcoder determines GOP size for this output.
|
| H264InterlaceMode |
Choose the scan line type for the output.
|
| H264ParControl |
Optional.
|
| H264QualityTuningLevel |
The Quality tuning level you choose represents a trade-off between the encoding speed of your job and the output
video quality.
|
| H264RateControlMode |
Use this setting to specify whether this output has a variable bitrate (VBR), constant bitrate (CBR) or
quality-defined variable bitrate (QVBR).
|
| H264RepeatPps |
Places a PPS header on each encoded picture, even if repeated.
|
| H264SaliencyAwareEncoding |
Specify whether to apply Saliency aware encoding to your output.
|
| H264ScanTypeConversionMode |
Use this setting for interlaced outputs, when your output frame rate is half of your input frame rate.
|
| H264SceneChangeDetect |
Enable this setting to insert I-frames at scene changes that the service automatically detects.
|
| H264SlowPal |
Ignore this setting unless your input frame rate is 23.976 or 24 frames per second (fps).
|
| H264SpatialAdaptiveQuantization |
Only use this setting when you change the default value, Auto, for the setting H264AdaptiveQuantization.
|
| H264Syntax |
Produces a bitstream compliant with SMPTE RP-2027.
|
| H264Telecine |
When you do frame rate conversion from 23.976 frames per second (fps) to 29.97 fps, and your output scan type is
interlaced, you can optionally enable hard or soft telecine to create a smoother picture.
|
| H264TemporalAdaptiveQuantization |
Only use this setting when you change the default value, AUTO, for the setting H264AdaptiveQuantization.
|
| H264UnregisteredSeiTimecode |
Inserts timecode for each frame as 4 bytes of an unregistered SEI message.
|
| H264WriteMp4PackagingType |
Specify how SPS and PPS NAL units are written in your output MP4 container, according to ISO/IEC 14496-15.
|
| H265AdaptiveQuantization |
When you set Adaptive Quantization to Auto, or leave blank, MediaConvert automatically applies quantization to
improve the video quality of your output.
|
| H265AlternateTransferFunctionSei |
Enables Alternate Transfer Function SEI message for outputs using Hybrid Log Gamma (HLG) Electro-Optical Transfer
Function (EOTF).
|
| H265CodecLevel |
H.265 Level.
|
| H265CodecProfile |
Represents the Profile and Tier, per the HEVC (H.265) specification.
|
| H265Deblocking |
Use Deblocking to improve the video quality of your output by smoothing the edges of macroblock artifacts created
during video compression.
|
| H265DynamicSubGop |
Choose Adaptive to improve subjective video quality for high-motion content.
|
| H265EndOfStreamMarkers |
Optionally include or suppress markers at the end of your output that signal the end of the video stream.
|
| H265FlickerAdaptiveQuantization |
Enable this setting to have the encoder reduce I-frame pop.
|
| H265FramerateControl |
Use the Framerate setting to specify the frame rate for this output.
|
| H265FramerateConversionAlgorithm |
Choose the method that you want MediaConvert to use when increasing or decreasing your video's frame rate.
|
| H265GopBReference |
Specify whether to allow B-frames to be referenced by other frame types.
|
| H265GopSizeUnits |
Specify how the transcoder determines GOP size for this output.
|
| H265InterlaceMode |
Choose the scan line type for the output.
|
| H265ParControl |
Optional.
|
| H265QualityTuningLevel |
Optional.
|
| H265RateControlMode |
Use this setting to specify whether this output has a variable bitrate (VBR), constant bitrate (CBR) or
quality-defined variable bitrate (QVBR).
|
| H265SampleAdaptiveOffsetFilterMode |
Specify Sample Adaptive Offset (SAO) filter strength.
|
| H265ScanTypeConversionMode |
Use this setting for interlaced outputs, when your output frame rate is half of your input frame rate.
|
| H265SceneChangeDetect |
Enable this setting to insert I-frames at scene changes that the service automatically detects.
|
| H265SlowPal |
Ignore this setting unless your input frame rate is 23.976 or 24 frames per second (fps).
|
| H265SpatialAdaptiveQuantization |
Keep the default value, Enabled, to adjust quantization within each frame based on spatial variation of content
complexity.
|
| H265Telecine |
This field applies only if the Streams > Advanced > Framerate field is set to 29.970.
|
| H265TemporalAdaptiveQuantization |
Keep the default value, Enabled, to adjust quantization within each frame based on temporal variation of content
complexity.
|
| H265TemporalIds |
Enables temporal layer identifiers in the encoded bitstream.
|
| H265Tiles |
Enable use of tiles, allowing horizontal as well as vertical subdivision of the encoded pictures.
|
| H265UnregisteredSeiTimecode |
Inserts timecode for each frame as 4 bytes of an unregistered SEI message.
|
| H265WriteMp4PackagingType |
If the location of parameter set NAL units doesn't matter in your workflow, ignore this setting.
|
| HDRToSDRToneMapper |
Specify how MediaConvert maps brightness and colors from your HDR input to your SDR output.
|
| HlsAdMarkers |
Ad marker for Apple HLS manifest.
|
| HlsAudioOnlyContainer |
Use this setting only in audio-only outputs.
|
| HlsAudioOnlyHeader |
Ignore this setting unless you are using FairPlay DRM with Verimatrix and you encounter playback issues.
|
| HlsAudioTrackType |
Four types of audio-only tracks are supported: Audio-Only Variant Stream The client can play back this audio-only
stream instead of video in low-bandwidth scenarios.
|
| HlsCaptionLanguageSetting |
Applies only to 608 Embedded output captions.
|
| HlsCaptionSegmentLengthControl |
Set Caption segment length control to Match video to create caption segments that align with the video segments from
the first video output in this output group.
|
| HlsClientCache |
Disable this setting only when your workflow requires the #EXT-X-ALLOW-CACHE:no tag.
|
| HlsCodecSpecification |
Specification to use (RFC-6381 or the default RFC-4281) during m3u8 playlist generation.
|
| HlsDescriptiveVideoServiceFlag |
Specify whether to flag this audio track as descriptive video service (DVS) in your HLS parent manifest.
|
| HlsDirectoryStructure |
Indicates whether segments should be placed in subdirectories.
|
| HlsEncryptionType |
Encrypts the segments with the given encryption scheme.
|
| HlsIFrameOnlyManifest |
Choose Include to have MediaConvert generate a child manifest that lists only the I-frames for this rendition, in
addition to your regular manifest for this rendition.
|
| HlsImageBasedTrickPlay |
Specify whether MediaConvert generates images for trick play.
|
| HlsInitializationVectorInManifest |
The Initialization Vector is a 128-bit number used in conjunction with the key for encrypting blocks.
|
| HlsIntervalCadence |
The cadence MediaConvert follows for generating thumbnails.
|
| HlsKeyProviderType |
Specify whether your DRM encryption key is static or from a key provider that follows the SPEKE standard.
|
| HlsManifestCompression |
When set to GZIP, compresses HLS playlist.
|
| HlsManifestDurationFormat |
Indicates whether the output manifest should use floating point values for segment duration.
|
| HlsOfflineEncrypted |
Enable this setting to insert the EXT-X-SESSION-KEY element into the master playlist.
|
| HlsOutputSelection |
Indicates whether the .m3u8 manifest file should be generated for this HLS output group.
|
| HlsProgramDateTime |
Includes or excludes EXT-X-PROGRAM-DATE-TIME tag in .m3u8 manifest files.
|
| HlsProgressiveWriteHlsManifest |
Specify whether MediaConvert generates HLS manifests while your job is running or when your job is complete.
|
| HlsSegmentControl |
When set to SINGLE_FILE, emits program as a single media resource (.ts) file, uses #EXT-X-BYTERANGE tags to index
segment for playback.
|
| HlsSegmentLengthControl |
Specify how you want MediaConvert to determine segment lengths in this output group.
|
| HlsStreamInfResolution |
Include or exclude RESOLUTION attribute for video in EXT-X-STREAM-INF tag of variant manifest.
|
| HlsTargetDurationCompatibilityMode |
When set to LEGACY, the segment target duration is always rounded up to the nearest integer value above its current
value in seconds.
|
| HlsTimedMetadataId3Frame |
Specify the type of the ID3 frame to use for ID3 timestamps in your output.
|
| ImscAccessibilitySubs |
If the IMSC captions track is intended to provide accessibility for people who are deaf or hard of hearing: Set
Accessibility subtitles to Enabled.
|
| ImscStylePassthrough |
Keep this setting enabled to have MediaConvert use the font style and position information from the captions source
in the output.
|
| InputDeblockFilter |
Enable Deblock to produce smoother motion in the output.
|
| InputDenoiseFilter |
Enable Denoise to filter noise from the input.
|
| InputFilterEnable |
Specify whether to apply input filtering to improve the video quality of your input.
|
| InputPolicy |
An input policy allows or disallows a job you submit to run based on the conditions that you specify.
|
| InputPsiControl |
Set PSI control for transport stream inputs to specify which data the demux process to scans.
|
| InputRotate |
Use Rotate to specify how the service rotates your video.
|
| InputSampleRange |
If the sample range metadata in your input video is accurate, or if you don't know about sample range, keep the
default value, Follow, for this setting.
|
| InputScanType |
When you have a progressive segmented frame (PsF) input, use this setting to flag the input as PsF.
|
| InputTimecodeSource |
Use this Timecode source setting, located under the input settings, to specify how the service counts input video
frames.
|
| JobPhase |
A job's phase can be PROBING, TRANSCODING OR UPLOADING
|
| JobStatus |
A job's status can be SUBMITTED, PROGRESSING, COMPLETE, CANCELED, or ERROR.
|
| JobTemplateListBy |
Optional.
|
| LanguageCode |
Specify the language, using the ISO 639-2 three-letter code listed at
https://www.loc.gov/standards/iso639-2/php/code_list.php.
|
| M2tsAudioBufferModel |
Selects between the DVB and ATSC buffer models for Dolby Digital audio.
|
| M2tsAudioDuration |
Specify this setting only when your output will be consumed by a downstream repackaging workflow that is sensitive to
very small duration differences between video and audio.
|
| M2tsBufferModel |
Controls what buffer model to use for accurate interleaving.
|
| M2tsDataPtsControl |
If you select ALIGN_TO_VIDEO, MediaConvert writes captions and data packets with Presentation Timestamp (PTS) values
greater than or equal to the first video packet PTS (MediaConvert drops captions and data packets with lesser PTS
values).
|
| M2tsEbpAudioInterval |
When set to VIDEO_AND_FIXED_INTERVALS, audio EBP markers will be added to partitions 3 and 4.
|
| M2tsEbpPlacement |
Selects which PIDs to place EBP markers on.
|
| M2tsEsRateInPes |
Controls whether to include the ES Rate field in the PES header.
|
| M2tsForceTsVideoEbpOrder |
Keep the default value unless you know that your audio EBP markers are incorrectly appearing before your video EBP
markers.
|
| M2tsKlvMetadata |
To include key-length-value metadata in this output: Set KLV metadata insertion to Passthrough.
|
| M2tsNielsenId3 |
If INSERT, Nielsen inaudible tones for media tracking will be detected in the input audio and an equivalent ID3 tag
will be inserted in the output.
|
| M2tsPcrControl |
When set to PCR_EVERY_PES_PACKET, a Program Clock Reference value is inserted for every Packetized Elementary Stream
(PES) header.
|
| M2tsPreventBufferUnderflow |
Specify whether MediaConvert automatically attempts to prevent decoder buffer underflows in your transport stream
output.
|
| M2tsRateMode |
When set to CBR, inserts null packets into transport stream to fill specified bitrate.
|
| M2tsScte35Source |
For SCTE-35 markers from your input-- Choose Passthrough if you want SCTE-35 markers that appear in your input to
also appear in this output.
|
| M2tsSegmentationMarkers |
Inserts segmentation markers at each segmentation_time period.
|
| M2tsSegmentationStyle |
The segmentation style parameter controls how segmentation markers are inserted into the transport stream.
|
| M3u8AudioDuration |
Specify this setting only when your output will be consumed by a downstream repackaging workflow that is sensitive to
very small duration differences between video and audio.
|
| M3u8DataPtsControl |
If you select ALIGN_TO_VIDEO, MediaConvert writes captions and data packets with Presentation Timestamp (PTS) values
greater than or equal to the first video packet PTS (MediaConvert drops captions and data packets with lesser PTS
values).
|
| M3u8NielsenId3 |
If INSERT, Nielsen inaudible tones for media tracking will be detected in the input audio and an equivalent ID3 tag
will be inserted in the output.
|
| M3u8PcrControl |
When set to PCR_EVERY_PES_PACKET a Program Clock Reference value is inserted for every Packetized Elementary Stream
(PES) header.
|
| M3u8Scte35Source |
For SCTE-35 markers from your input-- Choose Passthrough if you want SCTE-35 markers that appear in your input to
also appear in this output.
|
| MatrixCoefficients |
The color space matrix coefficients of the video track.
|
| MotionImageInsertionMode |
Choose the type of motion graphic asset that you are providing for your overlay.
|
| MotionImagePlayback |
Specify whether your motion graphic overlay repeats on a loop or plays only once.
|
| MovClapAtom |
When enabled, include 'clap' atom if appropriate for the video output settings.
|
| MovCslgAtom |
When enabled, file composition times will start at zero, composition times in the 'ctts' (composition time to sample)
box for B-frames will be negative, and a 'cslg' (composition shift least greatest) box will be included per 14496-1
amendment 1.
|
| MovMpeg2FourCCControl |
When set to XDCAM, writes MPEG2 video streams into the QuickTime file using XDCAM fourcc codes.
|
| MovPaddingControl |
Unless you need Omneon compatibility: Keep the default value, None.
|
| MovReference |
Always keep the default value (SELF_CONTAINED) for this setting.
|
| Mp3RateControlMode |
Specify whether the service encodes this MP3 audio output with a constant bitrate (CBR) or a variable bitrate (VBR).
|
| Mp4CslgAtom |
When enabled, file composition times will start at zero, composition times in the 'ctts' (composition time to sample)
box for B-frames will be negative, and a 'cslg' (composition shift least greatest) box will be included per 14496-1
amendment 1.
|
| Mp4FreeSpaceBox |
Inserts a free-space box immediately after the moov box.
|
| Mp4MoovPlacement |
To place the MOOV atom at the beginning of your output, which is useful for progressive downloading: Leave blank or
choose Progressive download.
|
| MpdAccessibilityCaptionHints |
Optional.
|
| MpdAudioDuration |
Specify this setting only when your output will be consumed by a downstream repackaging workflow that is sensitive to
very small duration differences between video and audio.
|
| MpdCaptionContainerType |
Use this setting only in DASH output groups that include sidecar TTML or IMSC captions.
|
| MpdKlvMetadata |
To include key-length-value metadata in this output: Set KLV metadata insertion to Passthrough.
|
| MpdManifestMetadataSignaling |
To add an InbandEventStream element in your output MPD manifest for each type of event message, set Manifest metadata
signaling to Enabled.
|
| MpdScte35Esam |
Use this setting only when you specify SCTE-35 markers from ESAM.
|
| MpdScte35Source |
Ignore this setting unless you have SCTE-35 markers in your input video file.
|
| MpdTimedMetadata |
To include ID3 metadata in this output: Set ID3 metadata to Passthrough.
|
| MpdTimedMetadataBoxVersion |
Specify the event message box (eMSG) version for ID3 timed metadata in your output.
|
| Mpeg2AdaptiveQuantization |
Specify the strength of any adaptive quantization filters that you enable.
|
| Mpeg2CodecLevel |
Use Level to set the MPEG-2 level for the video output.
|
| Mpeg2CodecProfile |
Use Profile to set the MPEG-2 profile for the video output.
|
| Mpeg2DynamicSubGop |
Choose Adaptive to improve subjective video quality for high-motion content.
|
| Mpeg2FramerateControl |
If you are using the console, use the Framerate setting to specify the frame rate for this output.
|
| Mpeg2FramerateConversionAlgorithm |
Choose the method that you want MediaConvert to use when increasing or decreasing your video's frame rate.
|
| Mpeg2GopSizeUnits |
Specify the units for GOP size.
|
| Mpeg2InterlaceMode |
Choose the scan line type for the output.
|
| Mpeg2IntraDcPrecision |
Use Intra DC precision to set quantization precision for intra-block DC coefficients.
|
| Mpeg2ParControl |
Optional.
|
| Mpeg2QualityTuningLevel |
Optional.
|
| Mpeg2RateControlMode |
Use Rate control mode to specify whether the bitrate is variable (vbr) or constant (cbr).
|
| Mpeg2ScanTypeConversionMode |
Use this setting for interlaced outputs, when your output frame rate is half of your input frame rate.
|
| Mpeg2SceneChangeDetect |
Enable this setting to insert I-frames at scene changes that the service automatically detects.
|
| Mpeg2SlowPal |
Ignore this setting unless your input frame rate is 23.976 or 24 frames per second (fps).
|
| Mpeg2SpatialAdaptiveQuantization |
Keep the default value, Enabled, to adjust quantization within each frame based on spatial variation of content
complexity.
|
| Mpeg2Syntax |
Specify whether this output's video uses the D10 syntax.
|
| Mpeg2Telecine |
When you do frame rate conversion from 23.976 frames per second (fps) to 29.97 fps, and your output scan type is
interlaced, you can optionally enable hard or soft telecine to create a smoother picture.
|
| Mpeg2TemporalAdaptiveQuantization |
Keep the default value, Enabled, to adjust quantization within each frame based on temporal variation of content
complexity.
|
| MsSmoothAudioDeduplication |
COMBINE_DUPLICATE_STREAMS combines identical audio encoding settings across a Microsoft Smooth output group into a
single audio stream.
|
| MsSmoothFragmentLengthControl |
Specify how you want MediaConvert to determine the fragment length.
|
| MsSmoothManifestEncoding |
Use Manifest encoding to specify the encoding format for the server and client manifest.
|
| MxfAfdSignaling |
Optional.
|
| MxfProfile |
Specify the MXF profile, also called shim, for this output.
|
| MxfXavcDurationMode |
To create an output that complies with the XAVC file format guidelines for interoperability, keep the default value,
Drop frames for compliance.
|
| NielsenActiveWatermarkProcessType |
Choose the type of Nielsen watermarks that you want in your outputs.
|
| NielsenSourceWatermarkStatusType |
Required.
|
| NielsenUniqueTicPerAudioTrackType |
To create assets that have the same TIC values in each audio track, keep the default value Share TICs.
|
| NoiseFilterPostTemporalSharpening |
When you set Noise reducer to Temporal, the bandwidth and sharpness of your output is reduced.
|
| NoiseFilterPostTemporalSharpeningStrength |
Use Post temporal sharpening strength to define the amount of sharpening the transcoder applies to your output.
|
| NoiseReducerFilter |
Use Noise reducer filter to select one of the following spatial image filtering functions.
|
| Order |
Optional.
|
| OutputGroupType |
Type of output group (File group, Apple HLS, DASH ISO, Microsoft Smooth Streaming, CMAF)
|
| OutputSdt |
Selects method of inserting SDT information into output stream.
|
| PadVideo |
Use this setting if your input has video and audio durations that don't align, and your output or player has strict
alignment requirements.
|
| PresetListBy |
Optional.
|
| PresetSpeke20Audio |
Specify which SPEKE version 2.0 audio preset MediaConvert uses to request content keys from your SPEKE server.
|
| PresetSpeke20Video |
Specify which SPEKE version 2.0 video preset MediaConvert uses to request content keys from your SPEKE server.
|
| PricingPlan |
Specifies whether the pricing plan for the queue is on-demand or reserved.
|
| ProresChromaSampling |
This setting applies only to ProRes 4444 and ProRes 4444 XQ outputs that you create from inputs that use 4:4:4 chroma
sampling.
|
| ProresCodecProfile |
Use Profile to specify the type of Apple ProRes codec to use for this output.
|
| ProresFramerateControl |
If you are using the console, use the Framerate setting to specify the frame rate for this output.
|
| ProresFramerateConversionAlgorithm |
Choose the method that you want MediaConvert to use when increasing or decreasing your video's frame rate.
|
| ProresInterlaceMode |
Choose the scan line type for the output.
|
| ProresParControl |
Optional.
|
| ProresScanTypeConversionMode |
Use this setting for interlaced outputs, when your output frame rate is half of your input frame rate.
|
| ProresSlowPal |
Ignore this setting unless your input frame rate is 23.976 or 24 frames per second (fps).
|
| ProresTelecine |
When you do frame rate conversion from 23.976 frames per second (fps) to 29.97 fps, and your output scan type is
interlaced, you can optionally enable hard telecine to create a smoother picture.
|
| QueueListBy |
Optional.
|
| QueueStatus |
Queues can be ACTIVE or PAUSED.
|
| RemoveRubyReserveAttributes |
Optionally remove any tts:rubyReserve attributes present in your input, that do not have a tts:ruby attribute in the
same element, from your output.
|
| RenewalType |
Specifies whether the term of your reserved queue pricing plan is automatically extended (AUTO_RENEW) or expires
(EXPIRE) at the end of the term.
|
| RequiredFlag |
Set to ENABLED to force a rendition to be included.
|
| ReservationPlanStatus |
Specifies whether the pricing plan for your reserved queue is ACTIVE or EXPIRED.
|
| RespondToAfd |
Use Respond to AFD to specify how the service changes the video itself in response to AFD values in the input.
|
| RuleType |
Use Min top rendition size to specify a minimum size for the highest resolution in your ABR stack.
|
| S3ObjectCannedAcl |
Choose an Amazon S3 canned ACL for MediaConvert to apply to this output.
|
| S3ServerSideEncryptionType |
Specify how you want your data keys managed.
|
| S3StorageClass |
Specify the S3 storage class to use for this output.
|
| SampleRangeConversion |
Specify how MediaConvert limits the color sample range for this output.
|
| ScalingBehavior |
Specify the video Scaling behavior when your output has a different resolution than your input.
|
| SccDestinationFramerate |
Set Framerate to make sure that the captions and the video are synchronized in the output.
|
| SimulateReservedQueue |
Enable this setting when you run a test job to estimate how many reserved transcoding slots (RTS) you need.
|
| SrtStylePassthrough |
Set Style passthrough to ENABLED to use the available style, color, and position information from your input
captions.
|
| StatusUpdateInterval |
Specify how often MediaConvert sends STATUS_UPDATE events to Amazon CloudWatch Events.
|
| TeletextPageType |
A page type as defined in the standard ETSI EN 300 468, Table 94
|
| TimecodeBurninPosition |
Use Position under Timecode burn-in to specify the location the burned-in timecode on output video.
|
| TimecodeSource |
Use Source to set how timecodes are handled within this job.
|
| TimecodeTrack |
To include a timecode track in your MP4 output: Choose Enabled.
|
| TimedMetadata |
Set ID3 metadata to Passthrough to include ID3 metadata in this output.
|
| TrackType |
|
| TransferCharacteristics |
The color space transfer characteristics of the video track.
|
| TsPtsOffset |
Specify the initial presentation timestamp (PTS) offset for your transport stream output.
|
| TtmlStylePassthrough |
Pass through style and position information from a TTML-like input source (TTML, IMSC, SMPTE-TT) to the TTML output.
|
| Type |
|
| UncompressedFourcc |
The four character code for the uncompressed video.
|
| UncompressedFramerateControl |
Use the Framerate setting to specify the frame rate for this output.
|
| UncompressedFramerateConversionAlgorithm |
Choose the method that you want MediaConvert to use when increasing or decreasing your video's frame rate.
|
| UncompressedInterlaceMode |
Optional.
|
| UncompressedScanTypeConversionMode |
Use this setting for interlaced outputs, when your output frame rate is half of your input frame rate.
|
| UncompressedSlowPal |
Ignore this setting unless your input frame rate is 23.976 or 24 frames per second (fps).
|
| UncompressedTelecine |
When you do frame rate conversion from 23.976 frames per second (fps) to 29.97 fps, and your output scan type is
interlaced, you can optionally enable hard telecine to create a smoother picture.
|
| Vc3Class |
Specify the VC3 class to choose the quality characteristics for this output.
|
| Vc3FramerateControl |
If you are using the console, use the Framerate setting to specify the frame rate for this output.
|
| Vc3FramerateConversionAlgorithm |
Choose the method that you want MediaConvert to use when increasing or decreasing your video's frame rate.
|
| Vc3InterlaceMode |
Optional.
|
| Vc3ScanTypeConversionMode |
Use this setting for interlaced outputs, when your output frame rate is half of your input frame rate.
|
| Vc3SlowPal |
Ignore this setting unless your input frame rate is 23.976 or 24 frames per second (fps).
|
| Vc3Telecine |
When you do frame rate conversion from 23.976 frames per second (fps) to 29.97 fps, and your output scan type is
interlaced, you can optionally enable hard telecine to create a smoother picture.
|
| VchipAction |
The action to take on content advisory XDS packets.
|
| VideoCodec |
Type of video codec
|
| VideoOverlayPlayBackMode |
Specify whether your video overlay repeats or plays only once.
|
| VideoOverlayUnit |
Specify the Unit type to use when you enter a value for X position, Y position, Width, or Height.
|
| VideoTimecodeInsertion |
Applies only to H.264, H.265, MPEG2, and ProRes outputs.
|
| Vp8FramerateControl |
If you are using the console, use the Framerate setting to specify the frame rate for this output.
|
| Vp8FramerateConversionAlgorithm |
Choose the method that you want MediaConvert to use when increasing or decreasing your video's frame rate.
|
| Vp8ParControl |
Optional.
|
| Vp8QualityTuningLevel |
Optional.
|
| Vp8RateControlMode |
With the VP8 codec, you can use only the variable bitrate (VBR) rate control mode.
|
| Vp9FramerateControl |
If you are using the console, use the Framerate setting to specify the frame rate for this output.
|
| Vp9FramerateConversionAlgorithm |
Choose the method that you want MediaConvert to use when increasing or decreasing your video's frame rate.
|
| Vp9ParControl |
Optional.
|
| Vp9QualityTuningLevel |
Optional.
|
| Vp9RateControlMode |
With the VP9 codec, you can use only the variable bitrate (VBR) rate control mode.
|
| WatermarkingStrength |
Optional.
|
| WavFormat |
Specify the file format for your wave audio output.
|
| WebvttAccessibilitySubs |
If the WebVTT captions track is intended to provide accessibility for people who are deaf or hard of hearing: Set
Accessibility subtitles to Enabled.
|
| WebvttStylePassthrough |
Specify how MediaConvert writes style information in your output WebVTT captions.
|
| Xavc4kIntraCbgProfileClass |
Specify the XAVC Intra 4k (CBG) Class to set the bitrate of your output.
|
| Xavc4kIntraVbrProfileClass |
Specify the XAVC Intra 4k (VBR) Class to set the bitrate of your output.
|
| Xavc4kProfileBitrateClass |
Specify the XAVC 4k (Long GOP) Bitrate Class to set the bitrate of your output.
|
| Xavc4kProfileCodecProfile |
Specify the codec profile for this output.
|
| Xavc4kProfileQualityTuningLevel |
Optional.
|
| XavcAdaptiveQuantization |
Keep the default value, Auto, for this setting to have MediaConvert automatically apply the best types of
quantization for your video content.
|
| XavcEntropyEncoding |
Optional.
|
| XavcFlickerAdaptiveQuantization |
The best way to set up adaptive quantization is to keep the default value, Auto, for the setting Adaptive
quantization.
|
| XavcFramerateControl |
If you are using the console, use the Frame rate setting to specify the frame rate for this output.
|
| XavcFramerateConversionAlgorithm |
Choose the method that you want MediaConvert to use when increasing or decreasing your video's frame rate.
|
| XavcGopBReference |
Specify whether the encoder uses B-frames as reference frames for other pictures in the same GOP.
|
| XavcHdIntraCbgProfileClass |
Specify the XAVC Intra HD (CBG) Class to set the bitrate of your output.
|
| XavcHdProfileBitrateClass |
Specify the XAVC HD (Long GOP) Bitrate Class to set the bitrate of your output.
|
| XavcHdProfileQualityTuningLevel |
Optional.
|
| XavcHdProfileTelecine |
Ignore this setting unless you set Frame rate (framerateNumerator divided by framerateDenominator) to 29.970.
|
| XavcInterlaceMode |
Choose the scan line type for the output.
|
| XavcProfile |
Specify the XAVC profile for this output.
|
| XavcSlowPal |
Ignore this setting unless your input frame rate is 23.976 or 24 frames per second (fps).
|
| XavcSpatialAdaptiveQuantization |
The best way to set up adaptive quantization is to keep the default value, Auto, for the setting Adaptive
quantization.
|
| XavcTemporalAdaptiveQuantization |
The best way to set up adaptive quantization is to keep the default value, Auto, for the setting Adaptive
quantization.
|